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30楼贴了《Sight & Sound》 top10 2013
这里贴个top30吧   


1. “The Act of Killing” (Joshua Oppenheimer)
2. “Gravity” (Alfonso Cuaron)
3. “Blue is the Warmest Color” (Abdellatif Kechiche)
4. “The Great Beauty” (Paolo Sorrentino)
5. “Frances Ha” (Noah Baumbach)
6. “天注定 A Touch of Sin” (Jia Zhang-ke)
=“Upstream Color” (Shane Carruth)
8. “The Selfish Giant” (Clio Barnard)
9. “Norte, the End of History” (Lav Diaz)
=”Stranger by the Lake” (Alain Guiraudie)
11. “Before Midnight” (Richard Linklater)
=”郊游 Stray Dogs” (Tsai Ming-liang)
13. “Leviathan” (Lucien Castaing and Verena Paravel)
14. ”All is Lost” (J.C. Chandor)
=”A Field in England” (Ben Wheatley)
=“12 Years a Slave” (Steve McQueen)
17. “Bastards” (Claire Denis)
=”Gloria” (Sebastian Lelio)
=”The Missing Picture” (Rithy Panh)
=”Story of My Death” (Albert Serra)
=”Under the Skin” (Jonathan Glazer)
22. “At Berkeley” (Frederick Wiseman)
=”Beyond the Hills” (Cristian Mungiu)
=”Blancanieves” (Pablo Berger)  
=”Blue Jasmine” (Woody Allen)
=”Django Unchained” (Quentin Tarantino)
=“Ida” (Pawel Pawlikowski)
=”Inside Llewyn Davis” (Joel and Ethan Coen)
=“It’s Such a Beautiful Day” (Don Hertzfeldt)    去年我给排了个第1  好像看得人很少 希望大家都能去看看
=”The Last of the Unjust” (Claude Lanzmann)
1

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奥斯卡投票截止在金球奖颁奖前 so....


ps:52楼英国独立电影奖给了去年的名单

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American Society of Cinematographers Reveals Feature Film Nominees
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美国摄影师协会奖提名

The American Society of Cinematographers (ASC) has announced nominations in the theatrical motion picture category of the28th Annual ASC Awards for Outstanding Achievement. The nominees are:

Sean Bobbitt, BSC for 12 Years a Slave
Barry Ackroyd, BSC for Captain Phillips
Philippe Le Sourd for The Grandmaster
Emmanuel Lubezki, ASC, AMC for Gravity
Bruno Delbonnel, ASC, AFC for Inside Llewyn Davis
Phedon Papamichael, ASC for Nebraska
Roger Deakins, ASC, BSC for Prisoners

The winner will be revealed at the awards ceremony on February 1, at the Hollywood & Highland Ray Dolby Ballroom.

“Our members believe these cinematographers have set the contemporary standard for artful, theatrical motion picture cinematography,” says ASC President Richard Crudo. “They have mastered a complex craft which contributes vitally to the storytelling process, and augments the intentions of everyone involved with the production.”

Traditionally, the organization selects five nominees, but a three-way tie this year boosts that number to seven.

This year’s nomination brings Deakins’ total to 12. He won last year for Skyfall, and previously for The Shawshank Redemption (1995) and The Man Who Wasn’t There (2002). His other nominations were for Fargo (1997), Kundun (1998), O Brother, Where Art Thou? (2001), No Country for Old Men (2008), The Assassination of Jesse James by the Coward Robert Ford (2008), Revolutionary Road (2009), The Reader (2009) and True Grit (2011). He was also the recipient of the organization’s Lifetime Achievement Award in 2011.

Lubezki has won ASC Awards for The Tree of Life (2012) and for Children of Men (2007), and was also nominated in 2000 for Sleepy Hollow.

Delbonnel earned top honors for A Very Long Engagement (2005), as well as a nomination for Amélie (2002).

Ackroyd was previously nominated for The Hurt Locker (2010).

Papamichael earned previous nominations in the television movie and miniseries category for White Dwarf (1996) and Wild Palms (1994), respectively.

This is the first ASC nomination for Bobbitt and Le Sourd.

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NOMINEES FOR THE 16TH ANNUAL COSTUME DESIGNERS GUILD AWARDS:
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服装设计工会奖提名

EXCELLENCE IN CONTEMPORARY FILM
“Blue Jasmine” – Suzy Benzinger
“Her” – Casey Storm
“Nebraska” – Wendy Chuck
“Philomena” – Consolata Boyle
“The Secret Life of Walter Mitty” – Sarah Edwards

EXCELLENCE IN PERIOD FILM
“12 Years a Slave” – Patricia Norris
“American Hustle” – Michael Wilkinson
“Dallas Buyers Club” – Kurt & Bart
“The Great Gatsby” – Catherine Martin
“Saving Mr. Banks” – Daniel Orlandi

EXCELLENCE IN FANTASY FILM
The Hobbit: The Desolation of Smaug – Ann Maskrey, Richard Taylor, Bob Buck
The Hunger Games: Catching Fire – Trish Summerville
Oz: The Great and Powerful – Gary Jones, Michael Kutsche

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